I care for you   2001, acrylic paint based on Clinique  high impact eye shadows, acrylic  (eight panels), 240 x 120 cm
       
     
  I care for you   2001, acrylic paint based on Clinique  moisture surge lipsticks, acrylic  (three panels), 240 x 120 cm
       
     
  I care for you   2001, acrylic paint based on Clinique  city stick SPF15 foundations, acrylic  (four panels), 240 x 120 cm
       
     
  The ideal standing positions for elevators   2001, acrylic, 50 x 50 cm each
       
     
  What happens to you is forever   2001, lightjet print, 50 x 50 cm
       
     
 installation at William Mora Galleries, Melbourne
       
     
  I care for you   2001, acrylic paint based on Clinique  high impact eye shadows, acrylic  (eight panels), 240 x 120 cm
       
     

I care for you

2001, acrylic paint based on Clinique

high impact eye shadows, acrylic

(eight panels), 240 x 120 cm

  I care for you   2001, acrylic paint based on Clinique  moisture surge lipsticks, acrylic  (three panels), 240 x 120 cm
       
     

I care for you

2001, acrylic paint based on Clinique

moisture surge lipsticks, acrylic

(three panels), 240 x 120 cm

  I care for you   2001, acrylic paint based on Clinique  city stick SPF15 foundations, acrylic  (four panels), 240 x 120 cm
       
     

I care for you

2001, acrylic paint based on Clinique

city stick SPF15 foundations, acrylic

(four panels), 240 x 120 cm

  The ideal standing positions for elevators   2001, acrylic, 50 x 50 cm each
       
     

The ideal standing positions for elevators

2001, acrylic, 50 x 50 cm each

  What happens to you is forever   2001, lightjet print, 50 x 50 cm
       
     

What happens to you is forever

2001, lightjet print, 50 x 50 cm

 installation at William Mora Galleries, Melbourne
       
     

installation at William Mora Galleries, Melbourne